Musical Perception

A Scale for the Measurement of the Psychological Magnitude Pitch

1937 • 924 citations

Circularity in Judgments of Relative Pitch

1964 • 727 citations

The Relation of Pitch to Frequency: A Revised Scale

1940 • 425 citations

The Ear as a Frequency Analyzer

1964 • 241 citations

Pitch of Complex Tones

1967 • 229 citations

The Relation of Pitch to Intensity

1935 • 188 citations

DIFFERENTIAL PITCH SENSITIVITY OF THE EAR

1931 • 182 citations

Subjective Musical Pitch

1954 • 177 citations

Detectability Threshold for Combination Tones

1965 • 129 citations

Individual loudness functions

1970 • 99 citations

Loudness, Pitch and the Timbre of Musical Tones and Their Relation to the Intensity, the Frequency and the Overtone Structure

1934 • 92 citations

On the Validity of the Loudness Scale

1959 • 91 citations

Attributes of complex tones.

1941 • 80 citations

Pitch Discrimination

1952 • 78 citations

Loudness Discrimination

1955 • 75 citations

Frequency Discrimination of Random-Amplitude Tones

1966 • 71 citations

Physiological Acoustics

1954 • 68 citations

The connotation of musical consonance

1962 • 67 citations

Inharmonicity of Plain Wire Piano Strings

1952 • 57 citations

Tuning and temperament

1951 • 55 citations

The Long Pattern Hypothesis in Harmony and Hearing

1961 • 55 citations

Comparison of Solo and Ensemble Performances with Reference to Pythagorean, Just, and Equi-Tempered Intonations

1960 • 52 citations

The Attributes of Tones

1934 • 44 citations

A SPACE-TIME PATTERN THEORY OF HEARING

1930 • 42 citations

Factors in the Production of Aural Harmonics and Combination Tones

1937 • 41 citations

Further Investigation of the Effects of Intensity upon the Pitch of Pure Tones

1961 • 40 citations

Pitch characteristics of short tones. II. Pitch as a function of tonal duration.

1948 • 40 citations

Three Experiments Concerned with Pitch Perception

1963 • 37 citations

Simultaneous Two-Tone Pitch Discrimination

1957 • 34 citations

Pitch and Intensity

1951 • 32 citations

Quality of Violin, Viola, 'Cello, and Bass-Viol Tones. I

1965 • 31 citations

Effect of Time on Pitch Discrimination Thresholds under Several Psychophysical Procedures; Comparison with Intensity Discrimination Thresholds

1957 • 30 citations

PERCEPTION AND NEURAL REPRESENTATION OF SIMULTANEOUS DICHOTIC PURE TONE STIMULI.

1963 • 30 citations

Loudness, a product of volume times density.

1965 • 28 citations

Tonal Monaural Diplacusis

1955 • 28 citations

Experimental Study of “Tone Deafness”

1964 • 27 citations

Sensory Theories of Musical Consonance

1962 • 27 citations

Some Aspects of Perception. I: Sizes of Harmonic Intervals in Performance

1961 • 24 citations

The Fusion of Non-Musical Intervals

1928 • 24 citations

Some Aspects of Perception. II: Interval Sizes and Tonal Dynamics in Performance

1962 • 23 citations

The Masking and Pitch Shifts of Pure Tones near Abrupt Changes in a Thermal Noise Spectrum

1952 • 22 citations

Changes in Pitch of Tones of Low Frequency as a Function of the Pattern of Excitation Produced by a Band of Noise

1950 • 19 citations

Perception of Pitch, Timbre, and Loudness

1961 • 19 citations

Beats and related phenomena resulting from the simultaneous sounding of two tones: I.

1929 • 18 citations

Pitch Shifts Accompanying Certain Auditory Threshold Shifts

1954 • 18 citations

Violin Intonation

1937 • 18 citations

Influence of Experimental Technique on the Measurement of Differential Intensity Sensitivity of the Ear

1935 • 14 citations

Some Aspects of Perception III: Addenda

1962 • 13 citations

An Experimental Study of Subjective Tones Produced Within the Human Ear

1942 • 13 citations

Diplacusis and Auditory Theory

1963 • 12 citations

The Electrical Activity of a Denervated Ear

1939 • 12 citations

Single Estimates of Pitch Magnitude

1963 • 12 citations

Extended Reference: An Unrecognized Dynamic in Melody

1963 • 12 citations

The influence of overtone structure on the pitch of complex tones.

1955 • 11 citations

Are Loudness Judgments Based on Distance Estimates?

1963 • 11 citations

Unison Tuning of Musical Instruments

1954 • 11 citations

Musical Intervals and Simple Number Ratios

1959 • 10 citations

Studies in auditory theory. I. Binaural interaction and the perception of pitch.

1943 • 10 citations

The Influence of Intensity on the Pitch of Violin and 'Cello Tones

1936 • 10 citations

The Error Due to Masking in the Measurement of Aural Harmonics by the Method of Best Beats

1951 • 10 citations

A technique for training perfect pitch

1962 • 10 citations

Ohm's Acoustical Law and Short-Term Auditory Memory

1964 • 9 citations

Systematic Shifts in the Judgment of Octaves of High Frequencies

1964 • 9 citations

Time Requirements for the Tonal Function

1964 • 8 citations

Theories of Music and Musical Behavior

1963 • 7 citations

A quantitative study of combination tones.

1940 • 7 citations

Influence of the Time Interval on Experimentally Induced Shifts of Pitch

1963 • 6 citations

The Basis of Psychophysical Judgments

1963 • 6 citations

The designation of combination tones.

1941 • 5 citations

A New Equidistant 12-Tone Temperament

1959 • 5 citations

Zur Grundlegung der Tonpsychologie

1913 • 4 citations

Pitch Shifts of Periodic Stimuli with Changes in Sound Level

1961 • 3 citations

An Institute of Musical Science—A Suggestion

1947 • 3 citations

Certain Subjective Phenomena Accompanying a Frequency Vibrato

1936 • 3 citations

Origin of higher orders of combination tones.

1915 • 2 citations

Vibrato, Tremolo and Beats

1963 • 2 citations

Pitch of Periodically Interrupted Tones

1964 • 1 citations

Implication for Auditory Theory of Unitary Pitch Perception Despite Diplacusis

1956 • 1 citations