Back to search

The skill of recognizing musical structures

Data up to Jan 2025

Published1985
Citations60
References47

Total Citations Per Year

Abstract

References (47)

Perception in chess

1973 • 4,216 citations

Emotion and Meaning in Music

1961 • 2,007 citations

Coding Processes in Human Memory

1973 • 1,628 citations

THE MIND'S EYE IN CHESS

1973 • 1,424 citations

Visual Information Processing

1973 • 1,316 citations

Emotion and Meaning in Music

1957 • 845 citations

Scale and contour: Two components of a theory of memory for melodies.

1978 • 628 citations

Chunking in recall of symbolic drawings

1979 • 489 citations

Problem Solving: Research, Method, and Theory

1967 • 454 citations

The psychological representation of musical pitch in a tonal context

1979 • 410 citations

Quantification of the hierarchy of tonal functions within a diatonic context.

1979 • 396 citations

Fundamentals of Musical Acoustics

1978 • 375 citations

Abstraction and The Process of Recognition

1970 • 367 citations

Contour, Interval, and Pitch Recognition in Memory for Melodies

1971 • 356 citations

The internal representation of pitch sequences in tonal music.

1981 • 289 citations

The representation of harmonic structure in music: Hierarchies of stability as a function of context

1983 • 283 citations

Perception in Sport: Basketball

1980 • 282 citations

Quantification of the hierarchy of tonal functions within a diatonic context.

1979 • 234 citations

The psychophysics of categorical perception.

1977 • 200 citations

Components of skill in bridge.

1979 • 195 citations

Memory for chess positions: Resistance to interference.

1976 • 184 citations

The psychology of musical talent.

1919 • 170 citations

Perception in Sport: Volleyball

1980 • 165 citations

Fundamentals of Musical Acoustics

1977 • 162 citations

Melody recognition: The experimental application of musical rules.

1979 • 157 citations

Absolute identification of notes and intervals by musicians

1977 • 150 citations

Visual Perception of Musical Notation: Registering Pitch Symbols in Memory

1976 • 142 citations

Categorical perception of tonal intervais: Musicians can’t tellsharp fromflat

1977 • 130 citations

Recall memory for visually presented chess positions

1976 • 126 citations

The Concise Oxford Dictionary of Music

2007 • 111 citations

A cognitive model of musical sight-reading

1976 • 109 citations

Key distance effects on perceived harmonic structure in music

1982 • 105 citations

Recognition of Transposed Melodic Sequences

1976 • 104 citations

Phrase units as determinants of visual processing in music reading

1977 • 95 citations

Recognition memory for single tones with and without context.

1977 • 90 citations

Tables of d′ for variable-standard discrimination paradigms

1978 • 86 citations

Memory of a Speaker's Voice: Reaction Time to Same- or Different-voiced Letters

1974 • 69 citations

Categorical perception of tonal intervals: Musicians can't tell sharp irotaflat

1977 • 69 citations

Recognition memory for single tones with and without context.

1977 • 59 citations

The effect of item position on the likelihood of identification by inference in prose reading and music reading.

1976 • 57 citations

The Psychology of Learning and Motivation: Volume 30

1993 • 48 citations

Perception of Contour in Music Reading

1978 • 31 citations

Error patterns in delayed pitch comparison as a function of relational context.

1974 • 31 citations

Some properties of auditory memory for rapid formant transitions

1977 • 24 citations

Interactive effects in memory for harmonic intervals

1978 • 11 citations

Interference effects in tone memory

1977 • 9 citations

Physical and Name Codes in Auditory Memory: The Pursuit of an Analogy

1976 • 9 citations

Cited By (0)

Loading...