Back to search

Embodied Mind, Situated Cognition, and Expressive Microtiming in African-American Music

Data up to Jan 2025

Published2002
Citations321
References55

Total Citations Per Year

Abstract

References (55)

The Ecological Approach to Visual Perception

1980 • 22,799 citations

Philosophy in the flesh: the embodied mind and its challenge to Western thought

1999 • 9,538 citations

The Embodied Mind: Cognitive Science and Human Experience

1991 • 5,906 citations

The Embodied Mind

1991 • 4,509 citations

Cognition in Practice

1988 • 3,807 citations

A Generative Theory of Tonal Music

1984 • 3,759 citations

Cognition in practice : mind, mathematics, and culture in everyday life

1988 • 3,565 citations

Being There: Putting Brain, Body and World Together Again.

1998 • 3,388 citations

A dynamic systems approach to the development of cognition and action

1996 • 3,384 citations

Auditory Scene Analysis

1990 • 3,086 citations

Auditory Scene Analysis: The Perceptual Organization of Sound

1994 • 3,066 citations

The problem of serial order in behavior

1951 • 2,261 citations

Emotion and Meaning in Music

1961 • 2,007 citations

A place theory of sound localization.

1948 • 1,462 citations

On computation and cognition: Toward a foundation of cognitive science

1989 • 1,172 citations

Culture in mind: cognition, culture, and the problem of meaning

1996 • 929 citations

Rhythm and Tempo

1982 • 762 citations

Phantoms in the brain: probing the mysteries of the human mind

1999 • 692 citations

Culture In Mind

1996 • 691 citations

The Man Who Mistook His Wife for a Hat and Other Clinical Tales

1985 • 546 citations

The Analysis and Cognition of Basic Melodic Structures: The Implication-Realization Model

1993 • 510 citations

Slave Culture: Nationalist Theory and the Foundations of Black America

1988 • 498 citations

Adaptation of Disarranged Hand-Eye Coordination Contingent upon Re-Afferent Stimulation

1958 • 282 citations

Rhythm and Timing in Music

1999 • 247 citations

Time discrimination in a monotonic, isochronous sequence

1995 • 246 citations

The Human Primate.

1983 • 230 citations

Events are Perceivable But Time Is Not

1975 • 218 citations

Musical motion and performance: theoretical and empirical perspectives

1995 • 216 citations

Patterns of expressive timing in performances of a Beethoven minuet by nineteen famous pianists

1990 • 188 citations

Accent Structures in Music Performance

1993 • 186 citations

The Significance of the Relationship between Afro-American Music and West African Music

1974 • 184 citations

Does music performance allude to locomotion? A model of final ritardandi derived from measurements of stopping runners

1999 • 184 citations

Timing and synchronization in ensemble performance

2001 • 128 citations

The auditory “Primal Sketch”: A multiscale model of rhythmic grouping

1994 • 118 citations

Motion in Music: A Neurobiological Perspective

1999 • 109 citations

A Sensory-Motor Theory of Rhythm, Time Perception and Beat Induction

1999 • 99 citations

Timing is of the essence : perceptual and computational techniques for representing, learning, and reproducing expressive timing in percussive rhythm

1993 • 89 citations

Theorizing the Body in African-American Music

1994 • 84 citations

Auditory agnosia: a functional analysis

1993 • 71 citations

Temporal mechanisms of the brain as fundamentals of communication — with special reference to music perception and performance

1999 • 69 citations

Out of Notes: Signification, Interpretation, and the Problem of Miles Davis

1993 • 68 citations

The Power of Black Music

1997 • 62 citations

Music from Motion: Sound Level Envelopes of Tones Expressing Human Locomotion

2000 • 57 citations

Memory and the Perception of Rhythm

1993 • 45 citations

Microstructures of Feel, Macrostructures of Sound : Embodied Cognition in West African and African-American Music

1998 • 41 citations

Towards a cognitive theory of expression: The performance and perception of rubato

1989 • 41 citations

How to build a theory in cognitive science

1996 • 41 citations

Multiple Components of the Perception of Musical Sequences: A Cognitive Neuroscience Analysis and Some Implications for Auditory Imagery

1996 • 40 citations

Time Experience and Memory Processes

1975 • 28 citations

A novel representation for rhythmic structure

1997 • 28 citations

Annual Review of Jazz Studies

1986 • 24 citations

The effect of structure and rate on the recognition and description of auditory temporal patterns

1972 • 22 citations

Physical motion as a metaphor for timing in music: the final ritard

1996 • 14 citations

Shout Because You’re Free: The African American Ring Shout Tradition in Coastal Georgia

1999 • 12 citations

Elements of an Epistemology of Embodied AI

1996 • 7 citations

Cited By (0)

Loading...